BLACK FUNERARY ALTAR CLOTH EMBROIDERED WITH A CROSS – 19TH CENTURY
BLACK FUNERARY ALTAR CLOTH EMBROIDERED WITH A CROSS – 19TH CENTURY
Our prices are in euros, the prices converted in dollars or other currencies can vary according to the rate.
Free Worldwide Shipping – Secure and Protected Delivery
ref: #RK00-862Couldn't load pickup availability
Superb liturgical piece in deep black velvet, adorned at the center with a cross embroidered in gilded metal thread, a rare testimony to the ornaments used during Offices of the Dead and Requiem Masses. Before the liturgical reforms of the 20th century, black was the solemn color of mourning, reserved for funerary ceremonies. This color lends the piece an aura of gravity and sacredness.
The central cross, finely executed in a braid with stylized vegetal motifs, stands out powerfully against the black velvet, symbolizing prayer for the dead and the hope of the Resurrection. The perimeter of the textile is emphasized by a golden fringe, characteristic of 19th-century funerary ornaments, creating a striking contrast with the depth of the velvet.
The velvet, still rich and vibrant despite its age, displays ancient undulations and folds, bearing witness to its actual use during funerary ceremonies. The original light-colored canvas backing attests to its authentic ecclesiastical manufacture.
This type of black textile, used in funerary rites, has disappeared from modern liturgical practice. Surviving examples are rare, especially in such an imposing format and with gilded embroidery that remains remarkably fresh.
An ideal piece for collectors of liturgical objects, enthusiasts of funerary art, or those passionate about the ancient Christian rites of mourning.
PERIOD : 19th century
DIMENSIONS : 59 cm × 59 cm
SIZE : 23.2" × 23.2"
Placed directly on the altar, this square cloth held the paten and the chalice during the consecration. Its symbolic role was strong: it recalled the shroud of Christ and was handled with profound reverence. During the Offices of the Dead and Requiem Masses, the Church employed a specific range of ornaments, almost always made of black silk or dark velvet, enhanced with silver embroidery.
This black color, abandoned in the 20th century, expressed both the gravity of death and the Christian hope of the Resurrection. Black corporals, used exclusively to pray for the dead, are among the rarest liturgical textiles, as they were produced in limited quantities and often set aside after modern reforms.
Funerary ornaments included black chasubles, maniples, stoles, altar frontals, and funeral veils. Together, they gave funerary ceremonies a solemn and deeply symbolic aesthetic. Today, these historic pieces are highly sought after for their somber beauty, their spiritual depth, and their direct connection to Christian mourning rituals.
